On Saturday, October 18, I will be performing at the Clearwater Jazz Holiday with the Ken Loomer Big Band. Here is an excerpt from the Band’s Bio: “The idea behind this band Ken states is to “First keep Jazz and Big Band Music Alive”, which is America’s greatest true art form, and having this music played by the best jazz musicians in the country. Many of the charts in the Ken Loomer Big Band are original arrangements, plus those done by Count Basie, Buddy Rich, Woody Herman, Bob Mintzer and other famous big bands. The performance of this big band, driven by the consummate drummer Ken Loomer and his exciting musicians go through the repertoire of vital and brilliantly arranged contemporary music to produce a sound you will not forget!”
It should be a great concert and I hope to see you all there!
This is a quick excerpt of the Forefront playing “Siren’s Eye,” a composition by Rich Van Voorst, that was performed at a benefit concert last Monday. This is also posted in the videos section on the media page.
Here are a some pictures of my quintet, The Forefront playing at the Canvas 4 art show. You can fine more of them under the media page on our website. The concert was a great success and the artwork shown was simply superb. Our next performance will be a benefit concert at the University of South Florida with the USF Association for Jazz Education, to benefit musicians in New Orleans.
Last night we finished up the second day of recording in Holland. The first tune we put in the can was a gorgeous jazz waltz written by Lee called “Blue Tuna Boulevard,” which was reminiscent of the Bill Evans trio recordings of the 1960’s tastefully mixed some of some Frisellesque styles and phrasing. The first of the other two tunes was a street beat/funk version of the Charlie Parker classic “Scrapple from the Apple,” and the second, an arrangement of Wayne Shorter’s ”Footprints” with a double-time feel reminiscent of the Scofield Uberjam Band recordings.
We’ve been delighted to be working with engineer, sound guru, and owner of Elm Street Recording in Lansing Michigan, Ryan Wert. Ryan, Lee, and I went to College together and it has been great to catch up and continue working on such a highly professional level. No matter what curve ball we throw at him, he has already taken care of it!
The project has been a great experience for everyone involved and we look forward to mixing it down on Monday July for a hopeful fall release.
As many of you know I am currently up north on vacation and recording with Holland Michigan based Guitarist Lee Heerspink over the next couple weeks for a record release later in the year. So far we’ve finished recording about half of the record and we’re quite please with the outcome. At this point the record seems to be seems to be unfolding into a groove oriented record with a whole lot of back-beat.
Yesterday we were able to put 5 tunes in the can Giving us a lot of freedom over the next week. First we recorded “Softly as a Morning Sunrise,” only the melody has been tweaked and superimposed over the changes from Wayne Shorter’s “Black Nile,” giving it it’s own fresh flavor. The second chart was an original composition of mine entitled, “Ray’s Blues,” dedicated to the late, way beyond great Ray Brown that features West Michigan’s own Charlie Hoates on Bass. The third is a simple rhythm changes calypso, fusing motives from “Oleo,” and “Cottontail,” to cleverly disorient the average jazz aficionado (something I think most of us have considered doing at one point or another). We also recorded an interesting version of my arrangement of the Herbie Hancock 80’s hit “Rockit,” that will also by appearing on my upcoming quintet record to be released in early 2009. The last tune is an original of Lee’s dedicated to a mutual friend John Rodriguez, which I am personally hoping will end up being the title track for the record entitled, “Pull Your Stinky Face.” This track consists of groove meats, Americana, meets just plain nasty!
Rich Van Voorst is an active saxophonist and composer/ arranger primarily based in the Tampa Bay area. He is the Director of the Berean Academy After School Music Program. He is an adjunct professor at the University of South Florida where ...
Last night we finished up the second day of recording in Holland. The first tune we put in the can was a gorgeous jazz waltz written by Lee called “Blue Tuna Boulevard,” which was reminiscent of the Bill Evans trio recordings of the 1960’s tastefully mixed some of some 
As many of you know I am currently up north on vacation and recording with Holland Michigan based Guitarist 
![](http://www.flickr.com/photos/26385095@N03/2476057750/" "VanVoorstmusicMyspaceicon by bvanvoorst, on Flickr")
